Finding the Correct Medium

It is amazing just how often this topic comes up in conversation. I used to think that what I am about to describe happens to every creative soul at some stage, but it seems I may be wrong.

My journey in finding the correct creative medium started after high school, when I jumped straight into university. Being socially inept, I mostly drank booze and hung out at the university bar trying to identify with others in some way, even if it was at a more basic level.

I was seriously lacking direction, and so I chose to enrol in a Bachelor of Arts degree. Now, in case you are not aware, generally that is the degree that everyone lacking in direction enrols in. It is like your 'default' course for layabouts. It is the most generic and wide ranging course the university can offer, so naturally anyone lacking a sense of purpose enrols in it.

My primary subjects were English Lit, Drama and Philosophy. In English Lit and Drama I primarily focused my attention towards creative writing. I tried to take it seriously, so I put some effort into my peer assessed stories, prose and scripts.

Back in those days, hardly anyone could afford a mobile phone, let alone a laptop or PC. As a result the university provided student access to computers for the purpose of doing research or completing assignments.  

I spent countless hours on the university computers working on my creative writing. I wrote, re-wrote, edited, re-edited, wrote and re-wrote some more. It got to the point where I lost focus on whatever it was I was trying to say. I was constantly floating in a fetid pit of dissatisfaction. I ended up with a vasty array of floppy discs (yes... I am that old) full of hundreds of edited versions of my ramblings.

After quite some time of chasing my own tail, I eventually had a perfect moment of clarity. Somehow, I knew I had plenty to say - but the realisation hit me that I was expressing it in the wrong medium. I was confident that I was a capable writer, however I was totally incapable of knowing when a piece was finished. Everything I wrote was constantly re-written into oblivion.

Whilst I realised this epiphany was significant, I also knew I was totally lost. I had wasted a lot of time trying to express myself in words.

It ended up with me leaving university. Thankfully however, all was not lost. I knew that all I had to do was find the correct medium for my creative output.

Eventually I dabbled in sound, and totally sucked at it. So I tried visual mediums, and found myself drawn to painting and photography. I soon discovered painting and photography were the ideal mediums for me, because I was easily able to identify when the piece was finished. I simply knew when to stop.

I am sure that this evolution of expression may seem straight forward to some. But it sure took me a while to figure it out.

A Work in Progress - with Felicity

Title:            (Work in Progress) 
Details:         Mixed Media, consisting of acrylic paint and ink.
Size:            1 metre x 1 metre 
Created:       November / December 2012
Artist:           Felicity Thomson Payne @ Thomayne

 

The Use of Art Filters in Photography

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A Common Debate: 

Is there Creative Integrity in using Art Filters in Photography?

With the success of Instagram and Hipstamatic (to a lesser degree) and the boom of 'phoneography', the use of filters in photography is an intensely debated topic on blogs all over the internet.

However, the debate seems largely redundant, as the new methods of 'instant' photography are only gaining in popularity.

What would have happened had the world debated how the instant gratification of a Polaroid was taking the integrity out of photography?
So, there seems little point in buying into the argument here. Instead, I will explain why the use of filters works well for me. 

Personally, I believe that a filter can’t turn a poorly composed photo into a memorable image.

When engaging in 'phoneography' I dabble in using filters almost all of the time. This is largely due to my wanting to work the image in a manner similar to how I work a painting.When working a painting, I will layer it, and strip it back - ad infinitum. I do so in order to create, manipulate, or enhance the colour or texture of the painting.

And so the same principle applies with my photographs. In my opinion, the only difference is that the paintings are a real life format and the photography digital.

Being an untrained photographer, I am not so concerned about whether a photograph follows the rules. The only rule I truly stick to is making sure that the image composition is correct.

If the image is engaging, regardless of what camera was used to create it, or what filters (if any) were used, then the photographer has been successful in accomplishing their task.
 

Even when I am shooting with my gorgeous Olympus OM-D EM5, I still make good use of the filters. As discussed in an earlier post, the accessibility of quality art filters on your camera is invaluable. I often commence a shoot with the use of filters in the back of my mind when planning the shots.

So, in my humble opinion, the use of art filters in photography does have creative integrity. And for more than one reason. Even more so for me, as filters are a necessity in achieving the creative results I desire.